
Here are some of her images. She took these photographs in the city of Minsk, where she was raised, and said that their focus was about a disengagement of the glass on a bus window, and how the glass framed the faces behind it, almost taking them out of the real life context. To me they tell a story, and i really enjoy how the glass becomes a part of the piece. I want the glass in my own w
ork to be a part of the piece, however, establishing and connecting them will be difficult. I do like the thought of window after window, like a bus would have, however, i am then not sure as to how the dirt that is incorporated into the piece will be so tactile and interactive. I do plan to hang my photographs behind glass, or with glass ontop, however, how will the sand become part of the piece? Should i even have sand? Maybe a faint photograph printed on the glass would be more beneficial. WHat should the picture on the glass be of? I had originally thought of the glass photograph as being one from Kenya, however, i am not sure if such a direct route is neccessary. I have thought of printing on the glass a replacement of what the picture might look like in Kenya, for example, instead of a parking lot full of cars, a dirt wasteland. Things i am still debating now, that i need to finalize.http://alexandracatiere.com/
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